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PostHeaderIcon CD Review: Warren Teagarden's Across the San Joaquin

By Camden Andrews

Following up his debut self-titled EP, Warren Teagarden released his first full-length album, Across the San Joaquin , in mid April. Combining elements of country, punk, folk, and indie rock, his relaxed style is both simple and eccentric at the same time.

PostHeaderIcon CD Review: Battlehooch's Unabashed Nonsense

By Tyler Corelitz

Battlehooch’s debut EP OOF OWF has already garnered much-deserved respect within the Bay Area and beyond. It is a self-made wonder-work of psychedelic rock, funk, and unabashed nonsense. All four of the disc’s creations are heavily orchestrated movements featuring all manner of percussion, guitars, and driving bass, with some classy Zappa-inspired horns popping up whenever necessary. Vocals are present but one gets the feeling that the listener is less expected to sing along than they are to dance.

PostHeaderIcon CD Review: Jimbo Trout and the Fishpeople’s Hillbilly Bebop-Boogie

By Jake Butler

Tom Waits gets all hopped up on some crack, somehow manufactures a lovechild with the likes of Leon Redbone and Nitty Gritty Dirt Band, and out pops Jimbo Trout and Fishpeople (JT&F). If you’re not familiar with those artists, I suggest you listen to them before continuing on. [Recommended Listening: Tom Waits – Hold On; Nitty Gritty Dirt Band – Battle of New Orleans; Leon Redbone – Lazybones.]

Now that that’s out of the way, let’s move on to JT&F. Their album of covers, Hillbilly Bebop-Boogie (aptly named no less), transports you onto a railcar somewhere in the Midwest complete with tramp traveling companions. Jimbo’s gravelly twang on lead vocals plays back and forth with Annie Staninec’s fast-fingered fiddle and Greg Laakso’s ’20s-era jazz clarinet and sax, accented by flashes from a little xylophone here, a little cowbell there, and a little kazoo for good taste.

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PostHeaderIcon Discovering the Dodos

Congrats to Tyler Corelitz for being the first non-Nate contributor to NASCENT

By Tyler Corelitz

It seems like only months ago that I first heard about San Francisco duo the Dodos. I felt cool for listening to what I thought was an extremely awesome, but relatively obscure band, that just happened to be playing in my college’s cafeteria. Now, after a year on the road, these Bay Area starlets are gaining national attention on the eve of their sophomore full length release, Visiter, which comes out March 18th on Frenchkiss Records.

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