Americana tag team Mia and Jonah may be the musical equivalent of mac and cheese: Just as hearty helpings of the comfort food offer a simple but soothing cure for empty stomachs, the spare, commiserative melodies composing the Oakland duo’s second full-length, Rooms for Adelaide, transpire as the recipe to fill empty souls.

Reviews originally published in the East Bay Express on 10/3/07.

Unified School District, Brokedown Palace (self-released). Emcee Super Ugly’s deep, sharp voice may hit some folks too hard, but at least they can’t say he’s biting someone else’s style. Ecto One’s proficient beats are unusual, too — part retro, part progressive, all choppy — making USD an alluring anomaly on the Oakland scene.

Nyles Lannon, Pressure (Badman Recording Co.). The former Film School guitarist sticks to striking out on his own: With few exceptions, Lannon wrote, performed, and recorded all of his sophomore effort, which nonetheless maintains a full, if overstuffed, plate of experimental folk-rock.

Paper Tiger, Bright Dreams of Cold Revenge EP (self-released). This four-song debut from the fledgling SF group offers a nostalgic take on lightweight alt-rock, with straightforward melodies that linger.

Willow Willow, Willow Willow (Mod Lang). Few will deny the merits of sunny, sweet British folk — but it’s a far cry from being in vogue. As Willow Willow, childhood friends Miranda Zeiger and Jessica Vohs don’t much care, and even wrote what’s likely the world’s first weed ode containing prominent use of the harpsichord.

Desoto Reds, Bernadette and the Hundred Devils (self-released). In a region so blessed with gifted groups maintaining absurdly low profiles, it can be risky to sort the winners from the losers. Still, we’ll place our bets on Oakland’s little-known Desoto Reds, who show heaps of promise through a rare blend of cerebral pop and garage rock.

Hometown: Oakland
Next local show: 11/28, The Stork Club
Recent release: The Sleepyboy Moe Tapes, 2006

When it comes to homegrown East Bay music, Sleepyboy Moe is the real deal. Shaun Wargowsky, the man behind the name, moved to Oakland in 2005 and immediately became active in the local scene. The singer/bassist/guitarist began performing solo and with drummer Lindsay Cooper (of nicely named Oakland band Espionage a Trios) at small venues including Epic Arts in Berkeley. He recorded his debut CD, The Sleepyboy Moe Tapes, entirely in analog in Oakland and Berkeley. And his CD release party will take place Tuesday at The Stork Club in Oakland.

As for the sound? It’s been called sludge-folk, but that doesn’t begin to convey the hiss, fuzz, and noise captured in songs like “Nice Try, Nice Guy.” Most of the album sounds like a third-generation copy of a lo-fi cassette tape. Wargowsky’s droning (yet enchanting) rhythms and possessed (almost feminine) vocals compliment the recording perfectly (or maybe it’s the other way around), making this release more art than cheap reproduction of a live performance. You can find it at Aquarius Records in San Francisco (22nd and Valencia) and Amoeba Records in Berkeley (Telegraph and Haste), as well as online at CDBaby.com and iTunes.

CLEVELAND ROCKS:
-Before moving to Oakland, Wargowsky sang and played keyboards, bass, and guitar in a number of groups in the Akron/Kent/Cleveland area (Ohio, of course), where he attended school at Kent State University.
-These groups include the Stool Creak Circus (alternative rock), the Flavor Cat Hairparticles (ska, punk, Latin), and the Kent State African Ensemble (gospel choir).