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	<title>NASCENT &#187; country</title>
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		<title>CD Review: Jimbo Trout and the Fishpeople&#8217;s Hillbilly Bebop-Boogie</title>
		<link>http://www.nascentmag.com/2008/04/cd-review-jimbo-trout-and-fishpeoples.html</link>
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		<pubDate>Wed, 09 Apr 2008 09:02:02 +0000</pubDate>
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				<category><![CDATA[CD Review]]></category>
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		<guid isPermaLink="false">http://www.nascentmag.com/?p=247</guid>
		<description><![CDATA[By Jake Butler
Tom Waits gets all hopped up on some crack, somehow manufactures a lovechild with the likes of Leon Redbone and Nitty Gritty Dirt Band, and out pops Jimbo Trout and Fishpeople (JT&#38;F). If you’re not familiar with those artists, I suggest you listen to them before continuing on. [Recommended Listening: Tom Waits – [...]]]></description>
			<content:encoded><![CDATA[<p><em>By Jake Butler</em></p>
<p><strong>Tom Waits</strong> gets all hopped up on some crack, somehow manufactures a lovechild with the likes of <strong>Leon Redbone</strong> and <strong>Nitty Gritty Dirt Band</strong>, and out pops <strong>Jimbo Trout and Fishpeople</strong> (JT&amp;F). If you’re not familiar with those artists, I suggest you listen to them before continuing on. [Recommended Listening: Tom Waits – <em>Hold On</em>; Nitty Gritty Dirt Band – <em>Battle of New Orleans</em>; Leon Redbone – <em>Lazybones</em>.]<span></p>
<p>Now that that’s out of the way, let’s move on to JT&amp;F. Their album of covers, <em>Hillbilly Bebop-Boogie </em>(aptly named no less), transports you onto a railcar somewhere in the Midwest complete with tramp traveling companions. Jimbo’s gravelly twang on lead vocals plays back and forth with <strong>Annie Staninec</strong>’s fast-fingered fiddle and <strong>Greg Laakso</strong>’s &#8217;20s-era jazz clarinet and sax, accented by flashes from a little xylophone here, a little cowbell there, and a little kazoo for good taste.</p>
<p><span id="more-247"></span>While the band’s lineup boasts seven members on this album, it&#8217;s never overwhelming. Organized chaos is perhaps the best way to describe it. On the surface, things seem quite hectic, but just a minute later you see how skilled these musicians are at layering their sound while avoiding drowning each other out.</p>
<p>The album is a great listen, coming in at just under 40 minutes, it’s a nice package. The opening track, “Just Because,” is the listener’s “All Aboard” call for the Fishpeople train. “Sweet to Mama” eases you in with a comfortable groove driven by <strong>Jimmy Sweetwater</strong>’s harp, allowing him the opportunity to showcase his pipes a bit.</p>
<p>I couldn’t help but love “Sure Had a Wonderful Time Last Night” and its ability to make me remember those nights that I have to ask my friends what happened, and still come away feeling like a champ. Laakso’s sax gets a chance to breathe and lay down some sultry accompaniment. “Travellin’ Blues” shows Jimbo’s best impression of <strong>Jimmie Rodgers</strong>’ railroad yodeling, and it’s not half bad at all. Wrapping up with “Y’all Come,” JT&amp;F let you know you’re always welcome, and thank you for listening. It’s the bow on the present the Fishpeople call <em>Hillbilly Bebop Boogie</em>.</p>
<p>Solid musicianship, an ability to convey the funloving bluegrass-jazz-country music on a recording, and a voice that you can’t miss make for a great listen any day of the week (although I recommend a Monday morning as it will get your week started right). </span></p>
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